Historical Truth Essay, Research Paper
Historical Truth.
As a child sits through history class in the first grade, he or she learns of
the relationship between Christopher Columbus and the Indians. This history
lesson tells the children of the dependence each group had on each other.
But as the children mature, the relations between the two groups began to
change with their age. So the story that the teenagers are told is a gruesome
one of savage killings and lying. When the teenagers learn of this, they
themselves might want to do research on this subject to find out the truth. But
as one searches, one finds the inconsistency between the research books.
So the question is, who is telling the truth. Mary Louise Pratt and Jane
Tompkins probe these difficulties of the reading and writing of history,
specifically at the problems of bias and contemplative historical accounts. In
“Art of the Contact Zone,” Pratt explores the issue of whose version of history
gets favored and whose gets limited by analyzing the circumstances
surrounding Guaman Poma’s and de la Vega’s letter to the King of Spain. In
“‘Indians’: Textualism, Morality, and the Problem of History,” Tompkins
investigates how history is shaped in accordance to personal biases and
cultural conditions of historians by questioning different writings about Native
Americans. Each author comes to the conclusion between history and
subjectivity, meaning that history is problematic. The historical accounts
pondered by Pratt and Tompkins through historical text allows them to realize
that every account that a historian calls a fact is really a perspective. Pratt’s
concepts of “contact zone,” “autoethnography,” and “ethnography” are
supported by the historical ideas in Tompkins essay.
The concepts “contact zone,” “autoethnography,” and “ethnography” are
used by Pratt to support ideas in her essay about history. A “contact zone,”
according to Pratt, is where two cultures “meet, clash, and grapple with each
other”(625). “Ethnography” is a story where the superior writes about the
inferior, while “autoethnography” is the opposite, telling a story by the inferior
about the superior. As the cultures clash, the winner gets to tell the story.
The winner is usually the one who has the superior power. Pratt brings up
this idea while she discusses two authors: de la Vega and Poma. De la
Vega’s “ethnographic text” illustrates the relationship between the Incas and
the Spanish during the conquering of the Inca’s land. On the other hand,
Poma’s “autoethnographic text” on this historical account contains conflicting
ideas. But both of these essays are sent to the king of Spain. Which essay is
read by the king. For one, it is not Poma’s essay since it is
[s]uch a text is heterogeneous on the reception end as well as the
production end: it will read very differently to people in different
positions in the contact zone…it deploys systems of meaning
making, the letter necessarily means differently to bilingual
Spanish-Quechua speakers and to monolingual speakers in either
language (536)
With such a language barrier between who Poma is trying to make contact with,
the Spanish King, allows his letter to be lost. But de la Vega, who is a son of a
Spanish official, writes his letter to the King of Spain. De la Vega also spoke
Quechua, but “ his book is written in eloquent, standard Spanish, without
illustrations” (536). This allows the Spanish people, the main target for his
essay, to read and understand the history. So the victor, de la Vega, gets to tell
his story about the Incas and the clashing since he is the superior culture. Not
only does Pratt write about such types of texts and “contact zones,” so does
Tompkins.
Tompkins essay also deals with the various writings of historical
accounts. The “contact zone” she studies is that of the Puritans and Indians.
Every text that Tompkins reads tells a different story about the conflicts
between the two groups. One author, Miller, does not pay attention to the
presence of the Indians. Tompkins assumes this because Miller states that
what amazed him most was the ‘massive narrative of the movement of
European culture into the vacant wilderness of America’ (620). How can the
wilderness of America be vacant when the Indians inhabit this area. On the
other hand, the view of Jennings is that the Puritans are cruel, while the
Indians are superior to them, the Puritans. So this “contact zone” between the
Puritans and the Indians is viewed differently by each author. Unlike Pratt
who reads both an “autoethnographic text” and an “ethnographic text” to
understand the historical relationship better, Tompkins reads only
“ethnographic texts.” This enables Tompkins to only get one main view, that is
of the superior being, the Puritans.
The conclusions Tompkins comes to ab
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