’s "Rivals" Essay, Research Paper
from the Atlantic Monthly, 1922
Jazz
Theodore Maynard
The band began its music, and I saw
A hundred people in the cabaret
Stand up in couples meekly to obey
The arbitrary and remorseless law
Of custom. And I wondered what could draw
Their weary wills to this fulfillment. Gay
They were not. They embraced without dismay,
Lovers who showed an awful lack of awe.
Then, as I sat and drank my wine apart,
I pondered on this new religion, which
Lay heavily on the faces of the rich,
Who, occupied with ritual, never smiled –
Because I heard, within my quiet heart,
Happiness laughing like a little child.
Biographical Note: "Theodore Maynard, a poet new to the Atlantic, sends us
his sonnet from California."
from the Atlantic Monthly, 1925
Mississippi Melodies
Virginia Moore
III. Cotton Chorus
Niggah standin’, niggah squattin’,
Flirt yo’ fingahs in de cotton
Boles what huddle thick;
Tag along de Aprul harrow
What wedged wobbly, deep, an’ narrow –
Pick, pick, pick!
Drap no riffraff in de cotton,
Nothin’ sharp an’ nothin’ rotten
Lak a leaf o’ stick;
Swang it on yo’ giant shouldah
‘Foh de racin’ sun am oldah –
Pick, pick, pick!
All de cankahs in de cotton,
Wo’ms an’ weevils am fohgotten
An’ fohgotten quick,
When de bended backs an’ fingahs
Ob a hund’ud blackbird singahs
Pick, pick, pick!
Gunny sacks ob cleanes’ cotton,
Lak a goss’mah cloud a-clottin’,
Once was flowah-sick –
Pink an’ pale an’ vi’let gloomin’,
Color ob a ‘latto ‘ooman –
Pick, pick, pick!
Augus’ sun am pow’ful hot an’
Set on arguin’ wid de cotton
Lak a luni-tick –
But de cool ob night am comin’
An’ de dimmy stars am hummin’
Pick, pick, pick!
Biographical Note: "The primitive and natural melodies of Virginia Moore are
rooted in the earth of the Mississippi plantation where Miss Moore and her family have
lived for generations."
from The Atlantic Monthly, 1925
Conversation Baln.aire
by Archibald MacLeish
I indicate the evening sea. I say,
This endless silence edged with unending sound!
I say, This colorless where colors sway
and swim like lustre in a pearl, this drowned
moonshine, this shallow of translucent air,
this bubble that the winds break, the clouds change,
this smooth, this vague, this sea!
You
merely stare.
You turn your face to me. You say, it’s strange,
unreal almost. I don’t know what they mean,
these waves, this water. If I shut my eyes
it’s gone—like that—as though I’d never seen
the sea at all.
And
I, But realize
how many more have looked on it as we,
lovers.
Your eyes change. You
say, The sea!
from The Atlantic Monthly, 1925
Immortelle
by Bliss Carman
My glorious enchantress,
She went in silken hose,
With swaying hop and curving lip
And little tilted nose,
As full of fragrant fire
As any English rose.
Her voice across the morning,
Like olden balladry
Or magic notes from woodland throats,
It laid a spell on me
As wondrous as the west wind
And haunting as the sea.
She might have walked with Chaucer
A-jesting all the way,
Her figure trim a joy to him,
Her beauty like the day,
With that unfailing spirit
Which nothing can dismay.
Her heart was full of caring,
Her eyes were touched with dream.
In happy birth, in noble worth,
I thought that she did seem
As fair as Kentish roses
And rich as Devon cream.
I loved her airy carriage,
Her bearing clean and proud,
When glad and fond she looked beyond
The plaudits of the crowd,
Or when in prayer or sorrow
Her comely head was bowed.
I loved her eerie piping
Of measures without name.
Wild as a faun at rosy dawn,
Out of the crowd she came
To breathe upon old altars
A fresh untroubled flame.
I loved her lyric ardor,
Her chosen words and dress,
Her dryad’s face, her yielding grace,
Her glowing waywardness,
Her deep adoring passion
No careless eye would guess,
And all the while as lovely
As early daffodils,
When woodland Spring comes blossoming
Among the western hills,
And from her trilling garments
A mystic glory spills.
O sorceress of raptures
Beyond the dream of art,
be still our guide to walk beside
And choose the better part –
Thou lyric of enchantment!
Thou flower of Nature’s heart!
from The
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