The Renaissance Era Essay Research Paper The

The Renaissance Era Essay, Research Paper

The Renaissance Art

The Renaissance, from the French word meaning rebirth, began in the early 14th century to the late 16th century. The “rebirth” of art in Italy was connected with the rediscovery of ancient philosophy, literature, science and the evolution of empirical methods of study in these fields. (http://www.infoplease.com/ce5/CE043724.html) Increased awareness of classical knowledge created a new resolve to learn by direct observation and study of the natural world. The models provided by ancient buildings and works of art inspired the development of new artistic techniques and the desire to re-create the forms and styles of classical art. Among some of the greatest Renaissance artists were Donatello, Titian, Giotto, Raphael, Michaelangelo, Raphael, and the Renaissance man, Da Vinci. (Kohl, Benjamin G. Renaissance , Grolier Multimedia Encyclopedia)

Donato di Niccolo di Bette Bardi, called Donatello, was the preeminent genius of early Renaissance sculpture in Florence, Italy. (Lewine, Milton E. Donatello , Grolier Encyclopedia, 9.0) He worked in every size and medium of sculpture and explored the new humanistic ideas then current in Florence, always balancing a realism based on the study of humanistic nature with an idealism derived from antique sculpture. Donatello had rediscovered contrapposto, the opposition in a body of contrasted masses, and adapted the drapery to the body’s movement. The result is a figure of great organic vitality and unity.

From this point on, Donatello sought to characterize his figures as individual personalities rather than as types. Donatello’s accomplishment in such reliefs is fully realized in his gilt bronze Herod’s Feast. In the gilt bronze St. Louis of Toulouse he showed his familiarity with the ideas of Masaccio in characterizing the

active inner life of the saint through drapery suggesting strong movement framed by a silhouette. In this work Donatello created probably the first free-standing bronze nude since antiquity, and the adolescent’s slim sinuosity, his nudity emphasized by hat, sword, and greaves, symbolizes another Renaissance ideal, physical grace and beauty. (Lewine, Milton E. Donatello , Grolier Encyclopedia, 9.0)

Another is Tiziano Vecellio, or Titian, the greatest painter of the Renaissance in Venice and ranks as one of the most brilliant and influential masters in the entire development of European art. About 400 surviving paintings can be attributed to Titian with confidence, and many other now-lost works are known to have been produced during his extremely long and prolific career.

By the middle of the second decade of the 16th century Titian was painting such works as Sacred and Profane Love, which gives a full sense of the harmony and rich tonality of his sensuous classical style. His painting of the Assumption displays the full extent of his powers in a work that is at once monumental in scale, intensely energetic, and vibrant in coloring.

A rapid worker, Titian had the gift of penetrating the character of his sitters and was able to convey these insights, together with an air of dignity and an astonishing sense of physical vitality.The extremely rich effects of color, atmosphere, and light, always a remarkable feature of Titian’s painting style, became even more pronounced in the works of his late period. In his control of rapidly applied and thickly brushed paint, Titian was capable of producing an astonishingly tangible fusion of physical substance and light-filled atmosphere. In his final works, The Crown of Thorns and The Deposition, Titian became even more simplified and bold in his technique, endowing his works with an emotional impact that is mystical and haunting in its

power. (Hiesinger, Ulrich. Titian. Grolier Multimedia Encyclopedia)

The leading Florentine painter of his generation, Giotto di Bondone, created a revolution in painting that set Italian Renaissance art on the course it would follow for centuries. Giotto broke free of the flat, ethereal Byzantine manner of his Italian predecessors by painting convincing human figures with the semblance of weighty pieces of sculpture placed within a convincing illusion of space. Giotto dramatized religious narratives with a keen comprehension of human behavior in a way that later artists seldom equaled or surpassed. In Giotto’s lifetime his most famous work was the mosaic Navicella which is now all but destroyed. (Buser, Thomas. Giotto di Bondone , Grolier Multimedia Encyclopedia)

The Italian Michelangelo Buonarotti, almost certainly the most famous artist produced by Western civilization and arguably the greatest, is universally viewed as the supreme Renaissance artist He created monumental works of painting, sculpture, and architecture and left an additional legacy of numerous letters and poems. Through this vast and multifaceted body of artistic achievement, Michelangelo made an indelible imprint on the Western imagination. His lifelong fascination with the sublime form of the human body arose from this thoroughly Florentine sensitivity to the inherent worth and nobility of individuals.

One of Michelangelo s greatest work is his sculpture of David, a colossal evocation of athletic prowess and dynamic action. This marble giant was carved in Florence as a symbol of the proud independence of the Florentine republic,