Malcolm Maclaren And The Sex Pistols Essay

, Research Paper

So why was talk show host Bill Grundy suspended for two weeks without pay on December 1st, 1976. Why, in the late 70.s were the streets of London swarmed with vulgar kids in tattered clothing held together by safety pins; the same safety pins that pierced their ears and noses. And why were the Daily Mail, Music Week, and even the prestigious London Times in an uproar about the antics of a less- than- talented punk group out of Chelsea, England. The reason of course is the Sex Pistols, isn.t it. The Sex pistols .hit the scene like a rock through a plate glass window. They influenced, or some might say warped, the working class youth of London and to some extent, America too. The sex pistols started a movement that rippled through culture and the music scene and found its place as an underground scene that has branched out into countless sub-genres and remains prevalent to this day. But the Sex Pistols didn.t accomplish all this themselves. Johnny Rotten (John Lundon), Sid Vicious (John Simon Ritchie), Steve Jones, and Paul Cook, were four unemployed, working class kids who could not have pulled all that off themselves. There had to have been a mastermind behind the punk rock phenomenon. There was, and his name was Malcolm McLaren; a shop owner in London.

Malcolm Robert Andrew McLaren was born in London on January 22nd, 1946. He was raised by his grandmother Rose and attended several art schools including St Martin’s School Of Art and Harrow Art College . All his life, McLaren was very much a leader and an idea man. When he was eighteen, McLaren was inspired by the works of Andy Warhol to stage an art .happening. at the Kingly Street Art Gallery that had to be broken up by the police on account of it moving onto Regent Street and causing injuries and traffic chaos. It was clear that throughout his life, Malcolm McLaren was going to make some waves. In 1966, he met Vivienne Westwood. Over the next five years, McLaren attended several art schools such as Croydon and Goldsmiths. There he participated in several student revolts and associated himself with an art gangster group called the .Situationists.; artists, urbanists, filmmakers and sculptors, who aimed their barbs at capitalist society while simultaneously proposing a new model of the city . In 1971, the pieces of the punk puzzle began falling in place when McLaren left art school and entered the fashion industry.

430 Kings Rd, in London, was the location of .In the Back of Paradise Garage.. After a year, McLaren changed the name of his store to .Let it Rock. and began selling vintage 50.s clothing and records. He and Vivienne Westwood became partners in the venture and designed clothes for Ken Russell’s film “Mahler” and for the movie “That’ll Be The Day” (starring David Essex and Ringo Starr.) In 1974, Let it Rock had been re-named once again

to .Too Fast To Live Too Young To Die. and was visited by the new York dolls; an American neo-punk transvestite group. One thing led to another and McLaren took over the management of the Dolls and he and Vivienne returned to new York with them. He tried to revive their failing career by dressing them in red patent leather and draping their stages in communist flags and banners reading .what are the politics of boredom... When the dolls broke up in the middle of a gig McLaren returned to London in 1975. If he took two things away from his managerial experience with the New York Dolls, one was an idea for a new fashion trend. In New York City, McLaren was influenced by Richard Hell. Hell was a member of the band Television and wore his hair spiky and mended his clothes with safety pins. McLaren.s store once again underwent a name change.

The other was the realization that there was some brilliance in how bad the Dolls actually were. It was time for McLaren to create something just as bad, and make it huge.

The newly named .Sex. sold X-rated tee shirts, bondage wear, leather clothing, and it sold a lot of it. The shop soon became the preferred hang out for teenage malcontents, some of who dabbled in music. Business was thriving and the next step for Marshall McLaren was to form a band that adopted the image that his shop promoted. He drafted some Sex regulars in hopes of accomplishing on his home turf, what he failed to do in New York with the dolls .

Aside from dressing in the clothing found in Sex, guitarist Steve Jones, drummer Paul Cook, and bassist Glen Matlock were regular looking kids. The search for a frontman ended when John Lyndon slouched into Sex wearing a cut up .I Hate Pink Floyd. tee shirt and auditioned for the band by lip-syncing to Alice Cooper.s .School.s Out. in front of the Sex Jukebox. His rotten teeth earned him the moniker .Johnny Rotten.. McLaren tagged the unsettling word .pistols. onto the end of his shop.s name and his band was formed.

The first gig that Malcolm McLaren arranged for the sex pistols was at the same art school that he attended earlier n his life: St. Martin.s School of Art. The school.s social secretary was not pleased with the show that the pistols put on and therefore it lasted only about ten minutes .

In 1976, the Sex Pistols signed on with EMI records and released the single .Anarchy in the UK.. On December 1, of the same year, the Pistols found their way onto a Thames talk show where they swore after being promoted by the interviewer, Bill Grundy. Mr. G