Wilfred Owen Poetry Essay, Research Paper
Owen’s war poetry is a passionate expression of outrage at the horrors of
war and of pity for the young soldiers sacrificed in it. It is dramatic
and memorable, whether describing physical horror, such as in‘
Dulce et Decorum Est’ or the unseen, mental torment such as
in‘ Disabled’. His diverse use of instantly understandable
imagery and technique is what makes him the most memorable of the war
poets. His poetry evokes more from us than simple disgust and sympathy;
issues previously unconsidered are brought to our attention.
One of Owen’s talents is to convey his complex messages very
proficiently. In‘ Dulce et Decorum Est’–‘ If in
some smothering dreams you too could pace / Behind the wagon that we
flung him in’ the horror of witnessing this event becomes eternal
through dreams. Though this boy died an innocent, war allowed no time to
give his death dignity, which makes the horror so more poignant and
haunting. This is touched on in‘ Mental Cases’–‘
Treading blood from lungs that had loved laughter / Always they must see
these things and hear them’. Many of the sights which will haunt
the surviving soldiers are not what the officials have ordered them to
do, but what they have done to save their own lives. It is the tragedy of
war that you are not able to stop to help a dying man. They then, not
only physically scarred and mentally changed, carry remedyless guilt with
them. They have survived, at the expense of others–‘ Why
speak not they of comrades that went under.’ (‘Spring
Offensive’). Another dimension is that even the enemy soldiers are
just like them, it is the politicians and generals who have caused this
war, not these ordinary men. This is explored in‘ Strange
Meeting’ – the meeting of an enemy who is really a‘
friend’.
Many of Owen’s poems share resentment towards the generals and
those at home who have encouraged war.‘ Disabled’ has a very
bitter tone–‘ Aye, that was it, to please the giddy
jilts’.‘ His Meg’ didn’t stay around after he
joined to‘ please’ her– presumably she is with a‘
strong man’ who is‘ whole’. In‘ The Send
Off’ and‘ Anthem for Doomed Youth’ the prayers and
flowers for the soldiers are mocked– useless offerings to men who
are being sent as sacrifices. In‘ Apologia pro Poemate Meo’
Owen again adopts a harsh tone to those at home -‘ You shall not
come to think them well content/ By any jest of mine . . . They are worth
your tears / You are not worth their merriment’. Much anger is
directed towards those ignorant of the full implications of war, but,
perhaps ironically, his poetry would serve to make them aware. The
thought of killing, watching your comrades be killed and constantly
trying to survive sounds horrific enough, but the precise detail of the
emotions, thoughts and sights of the soldier, succeed to drive the full
horror home. This is where much of Owen’s originality lies, not
vague reporting, but deep cynicism and conveyance of the situations.
Owen sympathises profusely with the vain young men who have no idea of
the horrors of war, who are‘ seduced’ by others and the
recruiting posters. He bitterly rejects the patriotic reasoning for war
in‘ Dulce’. That they eagerly join up for vanities makes
their situation all the more tragic– he‘ threw away his
knees’.‘ Smiling they wrote his lie’ depicts officials
who not only accept this under age boy, but smile knowingly while they do
it. In‘ The Send Off’ a lack of support for these men is
suggested. The young men are to give up their lives as a sacrifice for
their country, but their leaving lacks passionate good byes as‘
they were not ours’. In‘ S.I.W’ the full impacts of
social pressure are highlighted. Though the man’s family clearly
love him, they would‘ sooner him dead than in disgrace’,
leaving him only suicide to escape. This notion of escaping into hell
from war is also in‘ Strange Meeting’.
A recurring theme in Owen’s poetry is the notion of unseen scars.
Though the soldier may return alive or uninjured, their lives will never
be the same. In‘ Disabled’ the pain of the man’s life
is not his injury, but how others react to him. He will never feel love
or live life to the full again. The moment when‘ the women’s
eyes / Passed from him to the strong men’ is wonderfully picked out
by Owen, the women’s embarrassment at staring, and the man’s
misery at no longer being seen as a valid person. Though sleep is relief
from his tortuous life in‘ Disabled’, sleep becomes a hell
for many of the poems. In‘ Dulce et Decorum
Est’–‘ In all my dreams . . . He plunges at me’
and in‘ The Sentry’ the persistent memories–‘ I
try not to remember these things now’.
The detail in Owen’s poetry puts forward his scenes horrifically
and memorably. His poems are suffused with the horror of battle, yet
fi
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