The Underpinning Of Demetrius Thesis A Midsummer

The Underpinning Of Demetrius Thesis: A Midsummer Night’s Dream Character, Demetrius Is Very Difficu Essay, Research Paper

The

Underpinning of Demetrius Thesis: A Midsummer Night’s Dream character,

Demetrius is very difficult to identify except by his relation to the one he

loves, or, more particularly, to the one who loves him. Helena’s ridiculous

chasing after him and his irritation with her are the primary marks of his

character. While in this uncharmed state, he even begins to threaten Helena

with bodily harm, coming off as not quite the gracious courtly lover he truly

means to be. It’s simple to discover his unchivalrous character by how easily

his eye was distracted from Helena by Hermia in the beginning. He could be a

gentle, loving man if he truly desired, but he takes satisfaction being put in

his place by others. In the end, still under the spell of fairy magic and therefore

not seeing with true eyes, he seems a bit imbecilic laughing at the acted

"lovers" in the play. He doesn’t realize it, but he is in a play of

his own. Likewise, as with the other characters, what happens to him is far

more interesting than the sort of character he is. I.Demetrius’ unwelcome

deceit and shrewdness and what is discovered A. Since

Demetrius only has two lines throughout the entire first act, it shows that he

can’t stand up for himself, likewise, this lack of speech displays his lack of

self-confidence and image: Relent, sweet Hermia, and, Lysander, yield Thy

crazed title to my certain right. (Demetrius, 1.1.93-94) Demetrius believes

that since he has Egeus’ approval, that Hermia should relinquish to him and

states that Lysander is going against his privilege. B. Demetrius takes

advantage of his stature by claiming Hermia as a right, which truly portrays

his instability, but, at the same time shows that in true he loves Hermia. It

is absolutely obvious that he is well supported by Egeus: Scornful Lysander,

true, he hath my love; And what is mine my love shall render him. And she is

mine, and all my right of her I do estate unto Demetrius. (Egeus, 1.1.97-100)

He depends on Egeus to display his affection and Egeus concludes by actually

enforcing Demetrius’ love upon her. C. Initially in love with Hermia, he uses

rudeness to ward off Helena’s "spaniel" affection, being very

ruthless towards the feelings of Helena: I’ll run from thee and hide me in the

brakes And leave thee to the mercy of wild beasts. (Demetrius, 2.1.234-235) He

cares nothing even for her life and just absolutely crushing her dear emotions.

D. It always seems that he is usually taking advantage of the situations he is

in, like when he tries to pursue Hermia due to Lysander’s absence, but uses

harsh words: I had rather give his [Lysander] carcass to my hounds . . . . . .

. . . . An if I could, what should Iget therefor. (Demetrius, 3.2.66,80) A

privilege never to see me more. And from thy hated presence part I [so.] See me

no more, whether he be dead or no. (Hermia, 3.2.81-83) Demetrius displays his

awful characteristics with such demoralizing words and complete disrespect for

Lysander. He will desire any hopes of attaining her affection. She scorns him

after hearing these words, never wanting him to see her again. E. Since

Demetrius had indeed made some convincing threats of violence against his

unwanted love, Hermia automatically suspects him for murdering Lysander: It

cannot be but thou hast murdered him. So should a murderer look, so dead, so

grim. (Hermia, 3.2.58-59) F. Helena is so true to Demetrius, but he denounces

her to a point of no return, threatening to rape her: You do impeach your

modesty too much To leave the city and commit yourself Into the hands of one

that loves you not, To trust the opportunity of night And the ill counsel of a

desert place With the rich worth of your virginity. (Demetrius, 2.1.221-226)

This is such a tremendous insult and Helena accepts by "Your [Demetrius]

virtue is my privilege." II. The Analogous, Yet Similar: Lysander and

Demetrius A. Demetrius and Lysander are somewhat alike, lacking in

individuality, virtually indistinguishable. B. Demetrius only seems to love the

external beauty of the women and doesn’t recognize the inner-beauty with true

feelings. As opposed to from Lysander’s luring manner, which is based on

internal emotions and tries his best to express with passionate words: How now,

my love. Why is your cheek so pale. How chance the roses there do fade so fast.

. . . . . . . . . . . The course of true love never did run smooth. (Lysander,

1.1.130-136) On the contrary, Demetrius is only sensitive to physical

affection: An if I could, what should I get therefor. (Demetrius, 3.2.80) He is

only concerned with what he can receive (SEX) from the pitiful relationship. C.

These statements have also altered due to the circumstances of the characters

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