Slaughterhouse-Five By Kurt Vonnegut Essay, Research Paper
Slaughterhouse-Five, by Kurt Vonnegut, Jr., was written as a general statement against all wars. Vonnegut focuses on the shock and outrage over the havoc and destruction man is capable of wreaking in the name of what he labels a worthy cause, while learning to understand and accept these horrors and one’s feelings about them. Through his character, Billy Pilgrim, he conveys not only these feelings and emotions, but also the message that we must exercise our free will to alter the unfortunate happenings that might occur in our lives.
Vonnegut had tremendous difficulty writing this novel. He says, “I thought it would be easy for me to write about the destruction of Dresden, since all I would have to do would be to report what I had seen” (Vonnegut 2). He did not count on his emotions interfering with his attempts at a factual and logical report of such atrocities. It took Vonnegut twenty years to directly face his private demon of the firebombing of Dresden in the form of this novel. He had trouble recalling any memories of substance about his time in Dresden. It could be said that he was blinded by the firebombs of Dresden. It was not until Vonnegut returned to the sight of the bombing twenty years later, along with one of his war buddies, that he was able to recall the disastrous and horrific incidents in Dresden. The novel served as a form of therapy for Vonnegut; it enabled him to examine the events of the past that impacted on his life, and to come to terms with them. Vonnegut chooses to focus the novel on events surrounding the firebombing of Dresden, Germany. As James Lundquist explains:
“The bombing of Dresden was a surprise raid. It wasn’t expected because the city was militarily unimportant. The population of the city had been doubled by prisoners-of-war and refugees. On February thirteenth, 1944, American bombers dropped high-explosive bombs followed by incendiaries, which caused a firestorm that could be seen more than two hundred miles away. On February fourteenth, the Americans carried out a second raid, which completed the destruction of the city. More than two-hundred thousand people were killed outright, burned to death, or died after. Vonnegut and Billy Pilgrim were herded with other prisoners-of-war into the storage area of a slaughterhouse and later emerged to find the once beautiful city looking like the surface of the moon” (Lundquist 47).
As Vonnegut reexamines the bombing of Dresden, he relates the event in a way that shows the reader his personal view of the incident. He confronts the Dresden experience with compassion and sorrow rather than anger, bitterness or pain. He sees the madness and cruelty of the world condensed in the blasting of the city. Vonnegut feels special anguish over the bombing because of his situation of being under attack by his own forces and sharing the sufferings of his enemies (Reed 494).
Billy Pilgrim’s character is also greatly affected by the war and by Dresden. Vonnegut tells the story of the bombing with “a day in the life” format. He relays most of the emotionally difficult facts through Billy, the innocent boy thrust into violent and chaotic times. In this manner, Vonnegut does not have to directly confront his own emotions on these issues but can portray his own feelings through the facade of Billy. Vonnegut describes Billy as becoming “unstuck in time” (Vonnegut 23). Billy blurs fact and fiction because he suspects that his vision of reality is hardly reliable. He cannot accept that human nature would allow such an occurrence as Dresden to take place and therefore concludes that his perception of reality must be totally wrong; he sees himself drifting from dream to reality and back again. In this way, he is able to pass off any bad experiences in his life, including Dresden, as a terrible nightmare and not a part of reality. Billy refuses to accept the traditional concept of time (Lundquist 19). Vonnegut also has difficulty accepting the constraints of time and often lives in the past, calling up old girlfriends and remembering the good ol’ days. Vonnegut writes, ” . . . my wife asks me what time it is. She always has to know the time. Sometimes I don’t know, and I say, ‘Search me’” (Vonnegut 7).
After witnessing the war and Dresden, both Billy and Vonnegut try to rationalize and understand what they have been through. Billy does this through his time traveling and visits to the planet Tralfamadore. Billy imagines the planet Tralfamadore where he is whisked off to by aliens. Billy is trying to make sense out of what he has witnessed at Dresden and to give order to the disorder of the universe. He wants life to make sense (Lundquist 17). On Tralfamadore, he is exposed to the Tralfamadorian philosophy on life. Their philosophy states that all time is all time: it does not change. It simply is. All moments exist in time simultaneously and forever, and one cannot change the past or the future because they already and always exist (Lundquist 51-52). Billy learns that the best philosophy is to enjoy the good moments and ignore the bad ones.
The Tralfamadorians do not understand Billy’s concern about finding a cure for the wars on Earth that result in the bombing of Dresden. They know that it is all inevitable and unchangeable. Free Will is a uniquely human concept. The Tralfamadorians know that it does not truly exis
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