Hamlet As Hero Essay, Research Paper
We often wonder why Shakespeare’s character Hamlet, in the play Hamlet, waited
so long after bring told by the ghost, about the evil deed, before carrying out
his plan. Everyone contains a tinge of Hamlet in his or her feelings, wants, and
worries. Hamlet is not like other tragic heroes of his period. He stands apart
from other Shakespeare’s heroes in his much discussed innocence. Is this
supposed tragic hero maybe an ideal hero, one without the tragic flaw, which has
been a part of the formula for the tragedy since the Golden Age of Greece. This
is a question that has been the field for many literary critics’ battles. The
main, and, most often, the only flaw that has been attributed to Hamlet was his
delay. This seems to constitute the central part in Hamlet. Critics seem to
cling to this detail, as if trying to save the status of Hamlet as a typical
Elizabethan tragedy of revenge. According to Aristotle, " the definition of
tragedy, there should exist a flaw in the character of the main hero, who is a
great personality that is engaged in a struggle that ends
catastrophically".(Aristotle, 459) If Hamlet had no flaw, what kind of
tragic hero is he. No doubt, Hamlet is a tragical drama, for it has many
characters that end up losing their lives. But the play would not lose it’s
tragic tone if Hamlet was an ideal hero instead of a tragic one. Which is
exactly the case. If just all critics realized this, maybe today we would not
have that much trouble trying to decipher Hamlet’s character, just like
Elizabethan audiences never raised any questions concerning Hamlet’s delay.
Alice Griffin, a drama critic, lecturer, states " it was only in the last
two centuries, that the audience and their perceptions have drastically changed,
which causes this confusion concerning the character that was created by
Shakespeare for the common people, some ignorant ones among them, perhaps".
(Griffin, 63) Hamlet is an ideal hero with a flaw, a flaw that sparks many
questions among critics everywhere, these questions can be answered in a simple
concentration of one scene. Hamlet is like a soldier that is thrown into a war
where he has to do some things he rather would avoid doing, but under the given
circumstances he bites his teeth and carries himself well. In this war, the
circumstances brought on by Claudius’s murdering of King Hamlet are Hamlet’s
enemy. Morris Weitz, a critic of Shakespearian plays, states, "His dead
father, and destroyed country, is the painful truth which leaves so much hatred
and resentment in his heart". (Weitz, 15) Being a loyal prince and son, and
one whom an entire kingdom respected, he should seek revenge and bring justice
back in the royal court. The whole play would be very simple if this murder was
an open assassination. But no, Shakespeare made sure that this murder was a
secret, that no one, except maybe Claudius, knew about it. Bernard Grebanier,
another critic that focuses on the piece of literature, says, "this puts in
a completely different context to the play that was written by Thomas Kyd, a
play that is titled Ur-Hamlet, which Shakespeare used as a basis for his Hamlet
play".(Grebanier, 111) This way, Shakespeare accomplished very different
development of action, and ultimately one of the best plays in that history.
Along with that, Shakespeare created disagreement concerning reasons why Hamlet
waited so long before killing Claudius. A careful reader can notice that more
than two months pass between Hamlet being told by the aspiration about the evil
deed, and Hamlet following through with his plan. One can argue that from this
follows that Hamlet procrastinated, have that one flaw – being passive, not
daring to act. But Shakespeare never payed attention to this time interval.
According to Grebanier, "an audience was not aware of it, because
Shakespeare didn’t want it to be… the rather large time interval was of no
consequence, and truly one cannot notice this without a conscious
calculation". (Grebanier, 179) More critics, especially during popularity
of Freud, have tried to explain Hamlet’s delay exclusively from psychological
point of view. But how can one psychologically analyze a character that does not
exist in a physical world; whose existence is dependent is merely on his actions
and reactions to the events and other characters from the play. J. Dover Wilson
summarized it by saying that Hamlet is a "character in a play not in
history". (Weitz, 107) From the point of view of these critics, it follows
that character preceded the plot, thus shaping it for its needs. But
Shakespeare, not to mention all the other play writers, followed Aristotelian
view. "Tragedy is an imitation of life … and thus the plot precedes the
character". (Aristotle, 459-460) Th
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