Digital Cameras Essay, Research Paper
Overview
Digital
cameras capture images electronically and convert them into digital data
that can be stored and manipulated by a computer.
Like
conventional cameras, digital cameras have a lens, aperture, and shutter,
but they don’t use film. When light passes through the lens it is focused
on a photo-sensitive electronic chip called a charged coupling device
(CCD). The CCD converts light impulses into electrical impulses (also
called analog signal forms). The signals are fed into a microprocessor
and transformed into digital information. This process is called digitization.
Although
digital images do not yet match the quality of pictures produced on film,
they represent an enormously flexible medium. Photographers are no longer
limited by the physical properties of chemistry and optics. Computers
outfitted with the appropriate software can augment and transform images
in ways never before imagined.
History
The origins of digital cameras are intimately linked with
the evolution of television in the 1940s and 50s, and the development
of computer imaging by NASA in the
1960s.
Before the advent of the video tape recorder (VTR), television
images were optically displayed on monitors and then filmed by motion
picture cameras. Because film and television technologies were essentially
incompatible, Kinescopes, or "kinnys" as they were called, produced
inferior images.
A breakthrough occurred in 1951 when Bing Crosby Laboratories
introduced the VTR, a technology specifically designed to record television
images. Television cameras convert light waves into electronic impulses,
and the VTR records these impulses onto magnetic tape. Perfected in 1956
by the Ampex Corporation, video tape
recording produced clear, crisp and nearly flawless images. The use of
VTRs soon revolutionized the television industry.
The next great leap forward happened in the early 1960s
as NASA geared up for the Apollo Lunar Exploration Program. As a precursor
to landing humans on the moon, NASA sent out a series of probes to map
the lunar surface. The Ranger missions relied on video cameras outfitted
with transmitters that broadcast analog signals. These weak transmissions
were plagued by interference from natural radio sources like the Sun.
Conventional television receivers could not transform them into coherent
images.
Researchers at NASA’s Jet
Propulsion Laboratory (JPL) developed ways to "clean" and
enhance analog signals by processing them through computers. Signals were
analyzed by a computer and converted into numerical or digital information.
In this way, unwanted interference could be removed, while critical data
could be enhanced. By the time of the Ranger 7 mission, JPL was producing
crystal clear images of the moon’s surface. The age of digital imaging
had dawned.
Since that time, probes outfitted with digital imagers
have explored the boundaries of our solar system. The orbiting Hubble
telescope, a hybrid of optical and digital technology, maps the limits
of the known universe.
Here on earth, digital techniques gave rise to a host
of medical imaging devices, from improved X-ray imaging in the late 1960s,
to Magnetic Resonance Imaging and
Positron
Emission Tomography in the ’80s and ’90s.
A
Thousand Points of Light: How Digital Images Are Formed
Digital cameras come in several formats designed for the
specialized needs of photographers. They range from inexpensive snapshot
models to sophisticated scanner backs that fit on professional large format
film cameras. Regardless of their size or sophistication, all digital
cameras operate in much the same way.
All images we perceive are formed from optical light energy.
Even digital images created within a computer are eventually converted
into light energy that we can see. In order for a digital camera to store
an optical image, it must be converted into digital information.
A digital camera gathers light energy through a lens,
and focuses it on a CCD which converts it into electrical impulses. These
signals are fed into a microprocessor where they are sampled and transformed
into digital information. This numerical data is then stored, and usually
transferred later on to a computer where the image can be viewed and manipulated.
Black-and-White
Basics
A black-and-white photograph is composed of a wide range
of tonal variations. Like the spectrum of natural light it represents,
the photo’s tones are continuous and unbroken. By contrast, a black-and-white
digital image consists of myriad points of light sampled from the light
spectrum. A digital image’s range of tone is determined by the camera’s
capacity
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