Bollocks Essay, Research Paper
Act II is largely a continuation of themes and character development
that were introduced in the first act: Helmer’s preoccupation with beauty in
the household continues to be prevalent in Act II. Nora says “Yes, Torvald
knows how to make it nice and pretty around here.” Nora seems to have
been raised in a setting that valued appearance and beauty as well. Mrs.
Linde comments that Nora also knows how to make things “nice and
pretty” undoubtedly, because she is “her father’s daughter.” As for Helmer,
Nora says that “Torvald can’t stand having sewing around.” This is probably
because he likes the idea and the appearance of a carefree wife who does
not have to work, but is mostly a showpiece.
Nora herself uses Helmer’s pet names for herself when she is trying
to get something out of him, because she knows he likes it. Her own speech
shows how part of her wifely duties seems to be putting on a cute show:
“Squirrel would run around and do all sorts of fun tricks if you’d be nice and
agreeable . . . Lark would chirp and twitter in all the rooms, up and down .
. . I’ll be your elfmaid and dance for you in the moonlight, Torvald.”
The idea of moral corruption being transferred to the children of the
morally decrepit is carried on in Act II as well. While in Act I, Helmer tells
of the phenomenon of young criminals being the result of a household full of
lies, in Act II Nora explains Rank’s poor health by saying that his father was
adulterous.
Nora continues to demonstrate her perception of gender roles in
Act II. Referring to the money-borrowing business, she says “A man
manages these things so much better than a woman.” Helmer adds to the
idea of a subservient wife when he teases Nora by ridiculing the idea that a
woman has a right to choose whether or not to obey her husband. Helmer’s
delight in Nora’s dependence on him is also shown when he uses “you
helpless little thing” and “the child” almost as terms of endearment.
The theme of a woman’s influence over her husband is also
continued in Act II. Helmer is worried about what people will think of him if
they believe that his wife influenced his business decisions. He says that this
would make him look ridiculous before his entire staff.
In Act II, “the wonderful” is introduced. Nora uses this term to
describe what will happen when Helmer finds out what she has done. The
meaning of this is explained in Act III.
Act III begins with Krogstad and Mrs. Linde in the Helmers’ house.
The audience learns that Mrs. Linde broke off romantic relations with
Krogstad in order to marry her husband, who was better off financially.
Mrs. Linde says that she felt she had to do this for the sake of her brothers
and mother. She now sees now that she was wrong to ignore her heart,
which told her to stay with Krogstad. She says that she wants to get back
together with him and to take care of him and his children. She indicates
that this is why she came to town in the first place. She admits that her
original reason for talking with Krogstad that night was to help Nora, but
she says that she realizes that “you may sell yourself once for somebody
else’s sake, but you don’t do it twice.” Krogstad says he will wait for Mrs.
Linde downstairs and walk her home.
Nora and Helmer come in the door, Nora resisting and saying that
she wants to go back to the party. Mrs. Linde secretly tells Nora that after
talking to Krogstad she realizes that Nora must tell Helmer everything. Mrs.
Linde leaves and Helmer makes a rude comment about her after she leaves.
Helmer begins to make sexual advances towards Nora and she tries to stop
him. Rank knocks on the door. Nora and Rank have a private conversation
which Helmer does not participate in, about the experiment that Rank was
to do on himself. He says that the result is “certainty.” Rank leaves. Helmer
goes to get the mail and notices that someone has been tampering with the
lock using one of Nora’s hairpins. Nora blames it on the children. In the
mail, Helmer finds that Rank has left two calling cards with black crosses
on them. Nora explains to Helmer that this means he has gone away to die.
Then she encourages Helmer to read his letters.
He goes into the other room and Nora paces for a while. She puts
on Helmer’s cloak and her shawl on her head. She is saying her goodbyes
when Helmer comes out of the study in a rage. So begins the climax of the
play. She tries to get out but he will not let her. She confesses to loving him
more than anything and he accuses her of making silly excuses. Helmer
bemoans the ugliness of the business of borrowing from Krogstad and the
forgery, and is extremely upset that his wife is a hypocrite and criminal. He
cannot fathom how she could do such a thing to him. He says that they will
have to pretend to go
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