Animation Essay Research Paper AnimationMy personal enjoyment

Animation Essay, Research Paper

Animation

My personal enjoyment with animation has inspired me to write this essay,

pertaining to animation. Since I was a child I have been fascinated with

cartoons; from when they started out to be black and white, and until now with

full colour and computer effects. To better perceive what my personal feelings

about animation are, I must first discuss in full detail, a general overview of

how animators bring traditional animation alive with motion.

Animation seems like a smooth movement of drawn sequences of artwork,

pasted together to form a single sequence of animation. This is the basis of

animation, but animation is far simpler than it may seem. “The true meaning of

animation is that it is a series of drawings strung together to create the

illusion of smooth fluent movement.”1 But the process of creating this so-

called illusion, is a pain staking process during which artists must spend

tremendous hours of agony to produce only seconds of animated film.

Before an animator goes about creating an animation he or she must have

the knowledge of several rules of animation, which animators around the world

follow. The first rule of animation is that an animator must hold the

understanding of the techniques used to produce single cells of animation.

Second rule, and one of the most important ones is that, the animator must have

great patience, so that his or her piece of artwork is not rushed, to prevent

the animation from looking choppy and not as smooth as it should look. Finally

what is required from an animator is “it takes commitment and effort to make the

basis of animation come alive with fresh ideas.”2 The following is not a rule of

animation, but is often taught to animators around the world. “Animators were

often taught that animation is only limited by the imagination and skills of its

creators.”3 Using these rules animation companies hire artists who are familiar

with the rules previously discussed, but to create a feature full-length

animation you need more than just these rules. Below the process of creating a

feature full-length animation will be discussed in further detail.

To create a traditional animation requires a team of cooperative artists

and editors. It also demands a collective, creative approach, within which the

individual artists and editors of the team must harmonize and communicate well

with the other members of the team, for the final product to be successful.

Because so many personnel are involved in producing a single piece of animated

film, creation of this is very costly. Companies must create a team of animators

that are willing to work together to get the finished product perfect the first

time around. No matter how modest or ambitious the project, the team of

animators follow a strict number of structured procedures, and must possess the

understanding of the concepts and terminology in traditional animation.

When the team has been assembled. The team begins a long process of set

procedures, which all animators worldwide use. Below the many set procedures are

described in full detail.

1.Script

The script is the first stage in all film production. In an animation

script, the visual action in the plot and performance is far more important than

the dialogue.

2.Storyboard

The storyboard is a series of roughly drawn images that convey the

action described in the script. This scene-by-scene portrayal helps the writer,

director and animation team to access the content of the project and to correct

any deficiencies in the scripted story.

3.Soundtrack

After the script and storyboard are completed, the recording of any

dialogue or key music is undertaken. Since traditional animation relies on

perfect synchronization of the picture to the soundtrack, the animator must

receive the recorded track before beginning to draw.

4.Design

Designers create visual interpretations of all the actors in the script.

When these interpretations are approved, the actors are drawn from many angles

on a model sheet which the animators will use as a reference.

5.Leica Reel

A Leica reel is a filmed storyboard which can be projected in

synchronization with the soundtrack. It helps the director see how the film is

shaping up and make any changes to its visual aspects before animation is begun.

6.Line Tests

Line tests are animation drawings, produced in pencil on paper, filmed

to the precise timings of each scene. As line tests are approved they are cut

into Leica reel, replacing the original drawings and giving the director an even

better idea of how the final film will look.

7.Cleanup

Cleanup artists take the animation drawings now and clean them up, to

give them a consistent visual style.

8.Trace and Paint

When a cleaned-up line test

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