Harlem Renaissance 3 Essay, Research Paper
The Harlem Renaissance
I. Introduction
II. Definition of the Harlem Renaissance
A. The Time of the Harlem Renaissance
B. What was the Harlem Renaissance
III. Music of the Harlem Renaissance
A. Kinds of music
B. The big people
IV. Drama of the Harlem Renaissance
A. Kinds of drama
B. The big people
V. Literature of the Harlem Renaissance
A. Kinds of Literature
B. The Big People
VI. Art of the Harlem Renaissance
A. Kinds of Art
B. The Big People
VII. Reason
A. Why did they write the way they did.
B. The message that they were trying to send
VIII Decline of the Harlem Renaissance
A. The Reason for the Decline
B. The Aftermath of the Harlem Renaissance
IX. Poem by Langston Hughes
X. Conclusion
Thesis: The Harlem Renaissance was a prosperous time, and Black Americans
benefited from the rapid growth in the economy in music, drama,
literature, and art.
The Harlem Renaissance
The place of growth was known as New York City. The time of year
was the 1920s. This time period was also known as the Jazz Age. The
music was played mostly in a Manhattan neighborhood known as Harlem.
Harlem created a growth of African-American culture which created a
community exploding with art, politics, energy, and racial pride. The
Harlem Renaissance was a prosperous time, and Black Americans benefited
from the rapid growth in the economy in music, drama, literature, and art.
When blues was hot and jazz was a growing stay in America s
culture; when speakeasies were filled with both blacks and whites dancing
to the rhythms of life set out by the saxophone, trumpet, and drums…..
( Harlem ). This is the definition of the Harlem Renaissance. This
definition is true in many ways. The Harlem Renaissance was around the
time period of the 1920s and 1930s. The only aspect that I might know
about the Harlem Renaissance is that there were a lot of poetry, books, and
music going around. There were numerous clubs and places to hang out in
Harlem. The clubs were filled with over three hundred well-dressed blacks
and whites.
The main interest of the clubs were the music and dancing. Jazz
music, invented by black musicians in New Orleans, Louisiana, hit Harlem
and the rest of the country with such force that the 1920s became known as
the Jazz Age (Chambers 9). Jazz was one of the many types of music that
was the most popular during the Harlem Renaissance. The other popular
music was the Blues. Blues is unlike jazz. This is because jazz has a more
up-beat and blues have a real down-beat. The dances that were popular was
known as the Boogie-Woogie, the Turkey Trot, and the Big Apple. Those
were just few of the many dances that developed during the Harlem
Renaissance.
Black writers were dependent on white publishers, but white
publishers were sincerely interested in black literature, and they worked
closely with black writers and intellectuals to achieve a viable literary
movement (Wintz 162). The only way that black writers could get in the
literature business was that they got in with someone who is white. The
white people knew that the only way that they could have a booming
business is to have black literature. This is because the only literature that
could really sell is the black literature. So for the whites to make money,
they had to get in with the blacks. This would then work out for both of
them.
The Harlem Renaissance produced a shine of new authors during this
time period. The authors knew each other well and they frequently
exchanged ideas. The Renaissance writers remain important not just for
their own work but because the literary tradition they built would become a
platform from which future African-American voices could shout and be
heard.
There were many big authors during the Harlem Renaissance. You
still hear some names now. They were Langston Hughes, Jean Toomer,
Jessie Redmon Fauset, Countee Cullen, Claude McKay, Wallace Thurman,
and Zora Neale Hurston.
Besides literature and music, there was also art involved in the
Harlem Renaissance. In the 1920s, European and white American painters
tangled with new ways to express the industrial world that was growing
behind them. Many of those painters were influenced by African tribal
culture. The Harlem Renaissance was much more than simply a white fad,
but the extent of white interest and support shaped the movement in many
ways (Chambers 86). The white people really paid attention to Harlem
when the blacks began to take an interest in artwork. The black artwork
was really interesting to many whites and other minorities. This would
bring whites to recognize the importance of the Harlem Renaissa
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