Digressions In Venus And Adonis And Hero

And Leander Essay, Research Paper

Digressions in Venus and Adonis and Hero and Leander

The poems Venus & Adonis and Hero & Leander have many similarities. Venus & Adonis, written by William Shakespeare (1593), is the story of lovesick Venus and innocent Adonis. Venus attempts to convince Adonis to have intimate relations with her. In the poem Hero & Leander, written by Christopher Marlowe (1598), Leander convinces the beautiful Hero to consummate their relationship despite her arguments. Another similarity of the two works is the digressions within the poems. In V&A, the digression involves two horses that are overcome by lust and eventually run off to mate in the woods. The digression in Hero & Leander is also sexual in nature. It involves Neptune attempting to seduce Leander. The digressions in V&A and Hero & Leander have parallel references to the work as a whole. The digressions also have similar qualities that indicate the influence of Shakespeare on Marlowe.

The digression in Venus & Adonis occurs during the first one third of the poem. Shakespeare chooses to have the horses mirror the behavior of Venus and Adonis. The stallion, Adonis. horse, mimics the actions of Venus. The stallion is the aggressor in the relationship; it is he who approaches the jennet. He shows off his strength and beauty by prancing and stamping on the ground. After his displays of strength and power the stallion, .looks upon his love, and neighs unto her. (Shakespeare 41). It is clear that the horse is entreating the jennet to submit to him sexually.

When Shakespeare describes the stallion he states that, .this horse excel a common one. (293). This quote directly relates the horse to Venus. The reader knows that Venus is of uncommon status, she is a god and therefore is immortal. Shakespeare uses this knowledge to link the two characters. Venus is also very aggressive in her relationship with Adonis. Shakespeare humorously describes the way Venus demonstrates her strength in a way similar to the stallion. Venus takes, .over one arm the lusty courser.s rein, Under the other her tender boy. (31-32). Venus is attempting to use strength to get her love, the way the stallion used his strength. Shakespeare is making a reference to how Venus. is taking what is customarily the male role.

The actions of the jennet in the digression can be compared to the actions of Adonis in the poem. The jennet, when approached by the stallion, .puts on outward strangeness, seems unkind: spurns his love, and scorns the heat he feels. (310-311). Shakespeare uses similar terms to describe Adonis. feelings towards Venus. His feelings are described in the first four lines of the play, . Hunting he lov.d, but love he laugh.d to scorn. (4). These two lines indicate the direct connection between the stallion and Adonis in the poem.

There are several themes in the digression that parallels the poem as a whole. Adonis. resistance to Venus is increasing her passion just as the jennet resisting the stallion increases his passion. The stallion after being rejected by the jennet he .stamps and bites the poor flies in his fume/he was enrag.d. (316-317). After Venus embraces Adonis, his anger increases his beauty. .Pure shame and aw.d resistance made him fret, which bred more beauty in his angry eyes. (69-70). Shakespeare implies to the reader, through the parallelism in the digression, that Adonis will eventually relent to Venus as the jennet relents to the stallion.

The digression in the poem Hero & Leander also parallels poem as a whole. The actions of Neptune in the digression can be equated to the actions of Leader, outside of the digression. Throughout the poem, Leander is entreating Hero to come to his bed. She continually resists his advances stating that she has vowed her chastity to Venus. He proceeds to .flatter, entreat, promise, protest, and swear. (Marlowe 268) in order to win her love. Similarly during the digression, Neptune fights to win the love of Leander. He follows him through the water and he, .watch.d his arms, and as they opened wide, at every stroke betwixt them would he slide, and steal a kiss, and then run out and dance.. (183-185). Neptune entreats Leader just as Leander entreats Hero. This comparison gives the reader an indication of what Marlowe may have been planning for the conclusion of the work. In the digression Neptune hurts himself out of love for Leander. It is possible that the poem would have ended in Leander hurting himself for the love of Hero.

In the Hero & Leander digression, Leander.s actions compare to the actions of Hero outside of the digression. Hero attempts to hold on to her chastity, in spite of the fact that she loved Leander. Hero pleads to Venus to help her maintain this chastity in spite of Leander but .Cupid beats down her prayers with his wings; her vows above the empty air he flings. (369-370). During the digression, Leander pleads to Thetis to help him escape the seduction of Neptune. .That now should shine on Thetis. glassy bower/O! that these tardy arms of mine were wings. (203-205). Hero attempts to reject the advances of Leander just as Leander attempts to reject the advances of Neptune.

The digressions in V&A and Hero & Leander have many similar characteristics. Both digressions are sexual in nature. In V&A, the digression describes the courtship