Chracters In Macbeth Essay Research Paper Characters

Chracters In Macbeth Essay, Research Paper

Characters What kind of people are the characters in this drama? How can we decide? Characters in Shakespearean drama are judged by (i) their actions; (ii) what others say of them (iii) what they themselves say in public (iv) by what they say in soliloquy, i.e. when thinking aloud or in ‘asides´ . We tend to judge people by their actions and by what they say in public, but these are not always a true reflection of the real character; people do not always reveal themselves to others, so we can only accept this evidence with reservation. In ‘Macbeth´ we learn that Duncan has been deceived by the first Thane of Cawdor whom he considered to have been “a gentleman on whom I built An absolute trust” yet who was guilty of treason. Again Lady Macbeth´s words to Duncan, Act I, Sc. vi “Your servants ever Have theirs, themselves, and what is theirs, in compt, To make their audit at your highness´ pleasure, Still to return your own”, are spoken shortly after she has decided that he will be murdered. Only when they think aloud,(soliloquy), can we accept without reservation what they say. “In soliloquy lies truth”. At the same time there are different interpretations of a soliloquy, and of the tone in which it is spoken. It all depends on the reader´s attitude. It is a good approach to be open-minded, to attempt to look at both sides of the question, before arriving at a conclusion.

Language In Macbeth Language Language is made up of words and sounds; it is concerned with creating effect by producing images and by placing words. It includes syntax, diction and even tone. Imagery involves the working of the senses, the vivid description of an odour, a melody, a visual picture, of taste or touch. Syntax refers to the order of words in a sentence, the length of sentences. It is associated with diction and imagery, e.g. in the use of inversion (changing the normal order of words often for emphasis), eclipses (omitting certain words) and antithesis (setting one word or idea against another with the object of heightening the effect of what is said). Diction is the writer´s choice of words. The dramatist may use religious terms, technical terms, dialect, or may even create words. He may use multi-syllabic words, or monosyllabic words. The imagery in Shakespeare has been discussed elsewhere. It is vivid. In Act I,Sc.ii he compares an undecided battle to “two spent swimmers, that do cling together and choke their art.” We see the swaying armies; weary of battle, impeding one another, too tired to strike, too frightened to break off the fight. A few lines on, MacDonald is pictured as a kind of carcass with the flies of evil swarming on him. “Swarm” is the memorable word here; it creates the picture. The description of the battle by the Captain in this scene is made startling by the violent imagery created by words and phrases like “smok´d with bloody execution”, “unseamed him from the naves to the chaps”, “Reeking wounds”. We see another Macbeth in Lady Macbeth´s description of him as “too full of the milk of human kindness”, suggesting mildness and gentleness. Shakespeare pictures the poetic, imaginative Macbeth in, “Now o´er the one half-word, Nature seems dead, and wicked dreams abuse The curtain´d sleep; witchcraft celebrates Pale Hecate´s offerings.” We visualise Tarquin striding out to rape Lucrece and understand Macbeth´s horror at his own deed. We see the other side of Macbeth in Act V,Sc.iii as he screams abuse at his servant, “the devil damn thee black, thou cream-fac´d loon!” NOTE: his use of antithesis in Act II,Sc.ii as Lady Macbeth tells herself, “What had quench´d them hath given me fire” depicting the chamberlains´ minds befuddled with the same drink that sharpens her courage. In this sense, too, the word “Shriek´d” describing the owl´s cry, emphasises the pitch to which her mind had been raised. Malcolm´s speech in Act IV,Sc.iii is an example of the effectiveness of ellipsis – “What I believe, I´ll wail; What you know, believe; and what I can redress, As I shall find the time to friend , I will.” It emphasises the decisiveness of Malcolm. In Act IV,Sc.iii, the value of the catalogue is seen as Malcolm lists the vices of Macbeth and a little later offsets them with “the King-becoming graces”. In the same scene assonance and alliteration are used to accentuate the bleak outlook for Scotland as Ross describes the scene to MacDuff, “It cannot Be call´d our mother, but our grave: where nothing, But who knows nothing, is once seen to smile; Where sighs and groans and shrieks that rent the air Are made, not marr´d; where violent sorrow seems A modern ecstasy”. Rich in assonance and alliteration and especially in imagery is Macbeth´s speech when he learns of his wife´s death. His picture of all time, “tomorrow”, “all our yesterdays”, “from day to day” is shown as adding up to “dusty death”. Life is shown as a “brief candle” which aptly pictures the uncertain flickering of man´s life span; his changing fortunes. Life he depicts as an unreality without substance, as an actor is also a shadow of reality. The “sound and fury” echo mankind´s futile efforts to assert himself. Atmosphere Atmosphere may be created in several ways. A tense atmosphere may be produced by staccato (quick-fire) dialogue as in Act