Heart Of Darkness Essay Research Paper An

Heart Of Darkness Essay, Research Paper

An Inward Journey

The journey in Heart of Darkness traverses not only the capricious waters spanning our physical world, but also the paradoxical ocean which exists in the heart of man and all of mankind. Through Maslow’s somewhat fanatical eyes we view the enigma that is humanity, and the blurred line between light and dark. It is a voyage into the deepest recesses of the human heart and mind, leading to epiphany, enlightenment, and finally spiraling downwards into the crevices of a hell existing within each and every one of us. Although through Maslow Conrad depicts a journey into the Congo, his use of symbolism and wordplay divulge that it is something much more profound.

The Heart of Darkness as an entirety is one immense metaphor, whose numerous annexes can be either convoluted or self-evident. Almost every action, object, and character in Conrad’s book has a deeper, more relevant meaning behind it, serving to bring the reader ever closer to the conclusion that the voyage is indeed an inward one. The first major indication of this is the posture of Maslow as he recounts his journey into the Congo. According to the narrator, “he had the pose of a Buddha preaching in European clothes and without a lotus-flower.” This lotus position is one typically used for meditation, which is in fact defined as a spiritual journey promoted by a lucidity of thought. Successful meditation leads to a more discerning understanding of human nature and allows one to contemplate the innermost workings of the mind. Therefore Maslow’s stance capitalizes on his true destination, insinuating from the very first pages that his journey is actually within himself.

From the start of Maslow’s tale there are a myriad of symbols relating to the unchartered places of the subconscious, and the journey intended to discover them. For instance, Maslow is lead to a room by two silent women spinning black wool (The women represent the Fates of Greek mythology, who spin a skein of wool which symbolizes a person’s life. The fact that these women’s thread is black creates an ominous sense of foreboding.). There his attention is drawn to a map and he finds himself enthralled by a large river coursing through the heart of Africa. He notices that the river resembled a snake, and that it was “fascinating.” For some odd reason, this long, sinuous river tempted him, despite its reptilian connotations, which already alerts the reader to danger ahead. The river is akin to the serpent in the biblical story of Adam and Eve, offering the unwitting pair a forbidden fruit – wisdom, and a dark knowledge of oneself.

Also, throughout the journey, there are repeated references to both life and death. Uncannily, these two are always intertwined. For example, there is a theme of bones which is constantly recurring in Maslow’s story. The Swede mentions a man who died, and whose skeleton was left sprawled on the ground until the grasses began to grow up through his ribcage. The grass represents life, and of course, the skeleton represents death. These two are woven together. Also, there is Kurtz’s obsession with ivory (dental bone), and according to Maslow he has the appearance of the object of his fixation. From Maslow’s description, Kurtz bears a skeletal resemblance even when he is alive. Conrad’s frequent symbolic combinations of life and death is probably one of his numerous parallels to light and dark, echoing the fact that the two must exist stimultaneously – there cannot be without the other.

Conrad’s book is based on the presence of light and dark within everyone, and in Maslow’s journey the question is often posed of which is predominant. There are times when darkness usurps the light, others when it is the opposite. However, the darkness (evil) usually tends to prevail. Conrad is implying that a sense of evil resides in the core of every human, and therefore reigns at the centre of humanity, however veiled by morals, civilization and refinement. This is one of the main facts Maslow ascertains on his journey, for he sees darkness everywhere, even when there is light.

Just as the line between light and dark is indistinct, the barrier segregating civilization from savagery is equally obscure. In Africa, Maslow repeatedly encounters natives, and his crew is comprised of twenty cannibals. As they progress deeper into the heart of the forest, we can take note that black people are dehumanized. They are perpetually referred to in animalistic terms, and are treated as such. However, it is these “savages” who survive and thrive in the heart of darkness, and whose ways eventually engulf Kurtz. There is also the indication here that technology, civilization, and refinement have been rendered useless. For instance, Maslow encounters a graveyard of “dead” machinery, rusted over and obsolete. Also, his vessel sinks to the bottom of the river, forcing him to remain at one of the stations for a long period of time. Every character thought to be at the pinnacle of cultivation and etiquette either dies or becomes corrupted by his surroundings (Kurtz, Fresleven). It is apparent that civilization is utterly futile in such surroundings.

Kurtz serves as a prime example of a civilized gentleman who capitulates to his barbaric side due to his environment. Regardless of the respect and admiration showered upon him by his peers, not to mention the jea