, Research Paper
How Thomas Hardy manipulates several places in The Mayor of Casterbridge to his advantage The Mayor of Casterbridge is set in Dorchester, according to its geographical location, and many significant events occur in the public houses of the town and its historical earthwork – the Ring. It is easily perceptible that each of these places has the purpose that Hardy indicates. The Ring is called the Maumbury Ring; it was used locally as an amphitheater and an execution ground. It is ridges and ditches of earthwork; Hardy describes, ‘The amphitheater was a huge circular enclosure, with a notch at opposite extremities of its diameter north and south’, which is referred to abruptly as ’spittoon of Jotuns’. A reference book on Dorchester’s Ring says, ‘The site of the town gallows, giving huge crowds a good view of hangings from its circular banks.’ Another implacable description of the ambiance around the Ring is ‘The sun was resting on the hill like a drop of blood on an eyelid…’ Here two important meetings of Henchard took place – with Susan and Lucetta. They end happily; yet they are the onset of tragedies: the ones responsible for further progression of the novel. The description of its rigor seems like a prediction into the future. Hardy chooses this location for these meetings because they are tentative meetings; thus its solemnity is almost as if eerie spirits are watching over them – hence the fact that it is an amphitheater and an execution ground. From these meetings, all Henchard’s intentions go wrong. Elizabeth-Jane is not his genuine daughter and his letters from Lucetta are not successfully delivered – all resolved to doom, hypercritically. There are four inns in this novel – the Antelope, the King’s Arm, the Three Mariners’, and Peter’s Finger. The most important ones are the second, third and fourth, yet all four still play important parts in the novel. The Antelope, although least mentioned, possesses certain a degree of significance. It actually exists in the town itself. Hardy uses this inn as the connection to the outside world – as a coach stop – and this is where Lucetta first arranges to meet Henchard for the return of the letters. ‘I shall be in the coach which changes houses at the Antelope…’ And indeed this was the actual place where the coach from London to Bristol used to stop. The significance here is that if Lucetta had been present, the story would not advance like this and the Triangle between Henchard, Farfrae and Lucetta would not have been established. This is one inconspicuous turning point of the novel. The other three inns are related: they all have connections. Different kinds of events occur in each inn, and certainly causing vital changes. The King’s Arms is the place where the upper class people would go, Peter’s Finger vice versa, and the There Mariners’ being intermediate. Hence Henchard is only found in the King’s Arm and the Three Mariners’, not in Peter’s Finger, when the other towns folks are found vice versa In King’s Arms, ‘the chief hotel in Casterbridge’, the events are focussed on Henchard. The first time this inn is mentioned, Henchard is having a party with his colleagues in the Town Council, he being the Mayor himself. ‘That’s Mr. Henchard the mayor at the end of the table, a facing ye; and that’s the councilmen right and left…’This suggests that this hotel is not of a kind that ordinary people would go to. Here a picture of Henchard’s success and prosperity is displayed, but the bankruptcy evaluation also takes place here. ‘One day Elizabeth-Jane was passing through the King’s Arms … it was meeting of the commissioners under Mr. Henchard’s bankruptcy.’ This hotel is thus portrayed to be a place that reflects Henchard’s fate, and it possesses formality as its nature. Here Henchard is seen risen and fallen through the formal meetings both concerning him. The Three Mariners’ is more intermediate. Many types of people would come here. It is not such a formal and extravagant place like the King’s Arms – Henchard, Farfrae, Elizabeth-Jane and Susan, all have come here throughout the novel. It is like a place of prophecy; all that is said becomes symbolic and vital as the time in the novel elapses. This is where things start and end. Elizabeth-Jane and Farfrae first meet here; it is when she is working as a maid in exchange for accommodation. She becomes both physically and emotionally attracted to him. She has spoken of herself and Farfrae symbolically. ‘For myself, I didn’t at all mind waiting a little upon him. He’s so respectable, and educated – far above the rest of them in the inn.’ And this ambition becomes true in the end, after the death of Lucetta, his former wife. Farfrae has initially gained his popularity here. ‘…And now the Scotchman had made himself so soon at home that at the request of some of the master-tradesmen, he too was favoring the room with ditty.’ ‘By this time he had completely taken possession of the hearts of the Three Mariners’ inmates…’ And later on, his popularity becomes evident when Doctor Chacksfield, the mayor after Henchard, dies; Farfrae is appointed the next mayor without an election. ‘If I should nominate thee to succeed him, and there should be no particular opposition, will thee accept the chair?’ This is also another prognostication of the future. Between Farfrae and Henchard, this is where they commenced and terminated their friendship. But the sentence are of Henchard which prophesize
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