Dutch Artwork Essay Research Paper During this

Dutch Artwork Essay, Research Paper

During this last semester I enjoyed learning about the Dutch and their ideas within their

artworks. The best part of the Dutch artwork is the genre paintings. These paintings are

like a story or a picture book that show s the lifestyle of the people during that period.

These paintings depicts their environment, entertainment, lifestyle, cloths, work, and

society; in other words the everyday life style. The two paintings which I have chosen

are Dutch paintings from the 17th century. These two paintings are also genre paintings

which depicts their lifestyle. I wanted to compare the two Dutch genre paintings and

contrast the style (color, light, style) of the two painters. Both paintings were Dutch

genre paintings of the 17th century, Joost-Cornelisz Droochsloot s Village Merrymaking

was done in oil on wood panel that dated back in 1586-1674 and Adriaen Van de Velde s

Pastoral Landscape was done in oil on canvas dated back around 1660-1670.

Despite the active tradition of Dutch paintings of the seventeenth century, the

realistic characteristics of art from this period can be reconciled with its possible

meanings. These artists created some of the most beautiful and luminous paintings of the

Dutch Genre Period, the cultural and economic flourishing of the Dutch from the time.

Paintings epitomizes the best elements of European baroque art, combining Italian

theatricality and innovative lighting effects with Dutch sensitivity to nature. These

splendid works of art reveal a warm, light-filled art that celebrates the senses from the

setting of the paintings. The many delightful secular scenes as well as the dramatic

paintings on traditional themes that are executed with a remarkable vivacity and surface

beauty characteristic period. These, Dutch artists turned a portraitist’s eye onto the

society around them, scrutinizing the natural, architectural, and social topography of the

Dutch society. At the expense of traditional religious and historical subjects, entirely new

categories of painting gained popularity, including landscape, cityscape, architectural

views, and genre scenes that depicted every level of society. The characteristics of

individual citizens, the activities of their daily lives, and their urban natural environment

were catalogued in painted images.

Apparently more realistic, this scene is nevertheless also a concoction of the

artist’s imagination. The tradition of paintings scenes of everyday life began as a social

entertainment or the depiction of the people s everyday life. These 17th century genre

painting developed into social realism, with subjects often taken from the lives of

ordinary citizens.

As I look upon these two Dutch paintings my eyes focuses on the subject of each

painting. Usually the subject is the depiction of everyone and everything. The subject is

everything or in other words what the people are doing in the scene, since it is a genre

painting. In Joost-Cornelisz Droochsloot s painting, Village Merrymaking, the subject is

basically the whole village. The village of merchants, spokesmen, shops, bars, and

people playing makes it seem to be a busy place to be. Lots of people talking and kids

yelling. Looking at the painting our sense gets involved with the village. As you look at

the painting your eyes jump from here to there due to the commotion of the people.

There isn t a main subject, but your eyes do follow a certain pattern. Looking at the

painting for a moment I noticed there are certain red area s on the painting. These

certain red area s are on the people in every group. I believe that this red is intentionally

set to make you move to one group to another. It doesn t cause your eyes to say in one

spot, but make s you look upon everything. In the painting there is a foreground,

middle-ground, and background. As you look in the foreground you can see a couple

close together holding each other, a man on the ground, and a family chasing after a dog.

Looking close to this foreground, the detail of the faces and clothes are superb. You can

see the expression of their faces in great detail. As you start moving back to the

middle-ground the detail of the painting is still controlled. The detail is so direct, you

can see what of the merchants are selling in his hand and the scroll in the spokespersons

hands. The commotion of the merchants, spokesperson, and salesmen cause your sense

of hearing come in. It makes you just want to listen to want they have to share and sell.

Moving back to the background the detail seems to get lighter but still good enough to

make out things. You can still see in the background the groups of people still gathering

around the merchants. Even the sense of the blowing flag causes us to feel the wind and

makes us wonder what the weather is like. The one point perspective cause our eyes to

move from the foreground back to the left middle

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