| Pablo Picasso | |
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| Birth name | Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Martyr Patricio Clito Ruiz y Picasso |
| Born | October 25, 1881(1881-10-25) |
| Died | April 8, 1973 (aged 91) |
| Nationality | Spanish |
| Field | Painting, Drawing, Sculpture, Printmaking, Ceramics |
| Training | Jose Ruíz (father), Academy of Arts, Madrid |
| Movement | Cubism |
| Famous works | Les Demoiselles d'Avignon (1907) |
Pablo Ruiz Picasso (October 25, 1881 – April 8, 1973), often referred to simply as Picasso , was a Spanish painter and sculptor. His full name is Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Clito Ruiz y Picasso .[1] One of the most recognized figures in 20th century art, he is best known as the co-founder, along with Georges Braque, of cubism.
http://en.wikipedia.org/wiki/Image:Yo_Picasso.jpg
Pablo Picasso, self-portrait Yo, Picasso , 1901,
Pablo Picasso was born in Málaga, Spain, the first child of José Ruiz y Blasco and María Picasso y López. He was christened with the names Pablo, Diego, José, Francisco de Paula, Juan Nepomuceno, Maria de los Remedios, and Cipriano de la Santísima Trinidad.[2]
Picasso's father was a painter whose specialty was the naturalistic depiction of birds and who for most of his life was also a professor of art at the School of Crafts and a curator of a local museum. The young Picasso showed a passion and a skill for drawing from an early age; according to his mother,[3] his first word was "piz," a shortening of lápiz , the Spanish word for pencil.[4] It was from his father that Picasso had his first formal academic art training, such as figure drawing and painting in oil. Although Picasso attended art schools throughout his childhood, often those where his father taught, he never finished his college-level course of study at the Academy of Arts (Academia de San Fernando ) in Madrid, leaving after less than a year.
After studying art in Madrid, he made his first trip to Paris in 1900, the art capital of Europe. In Paris, he lived with Max Jacob (journalist and poet), who helped him learn French. Max slept at night and Picasso slept during the day as he worked at night. There were times of severe poverty, cold, and desperation. Much of his work had to be burned to keep the small room warm. In 1901, with his friend Soler, he founded the magazine Arte Joven in Madrid. The first edition was entirely illustrated by him. From that day, he started to simply sign his work Picasso , while before he signed Pablo Ruiz y Picasso .
In the early years of the 20th century, Picasso, still a struggling youth, divided his time between Barcelona and Paris, where in 1904, he began a long-term relationship with Fernande Olivier. It is she who appears in many of the Rose period paintings. After acquiring fame and some fortune, Picasso left Olivier for Marcelle Humbert, whom Picasso called Eva. Picasso included declarations of his love for Eva in many Cubist works.
http://en.wikipedia.org/wiki/Image:Nature_morte_%C3%A0_la_chaise_cann%C3%A9e.jpg
Pablo Picasso, Nature morte à la chaise cannée ,1912
In Paris, Picasso entertained a distinguished coterie of friends in the Montmartre and Montparnasse quarters, including André Breton, poet Guillaume Apollinaire, and writer Gertrude Stein. Apollinaire was arrested on suspicion of stealing the Mona Lisa from the Louvre in 1911. Apollonaire pointed to his friend Picasso, who was also brought in for questioning, but both were later exonerated.[5]
He maintained a number of mistresses in addition to his wife or primary partner. Picasso was married twice and had four children by three women. In 1918, Picasso married Olga Khokhlova, a ballerina with Sergei Diaghilev's troupe, for whom Picasso was designing a ballet, Parade , in Rome. Khokhlova introduced Picasso to high society, formal dinner parties, and all the social niceties attendant on the life of the rich in 1920s Paris. The two had a son, Paulo, who would grow up to be a dissolute motorcycle racer and chauffeur to his father. Khokhlova's insistence on social propriety clashed with Picasso's b
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