A Mirror Has Two Faces Connecting With

A Mirror Has Two Faces: Connecting With Our Animal Nature In Essay, Research Paper

A Mirror Has Two Faces: Connecting with Our Animal Nature in

James Dickey’s novel Deliverance

I remember watching nature shows on television and

seeing natural predation. There on the screen lions stalk,

chase, kill, and eat their prey. A true vision of animal

nature. Humans are also animals, therefore, possessing

animal nature. This animal nature can be witnessed every

fall as thousands of hunters across the United States forge

into the woods to stalk, kill, and eat their prey. Most

hunters even display the heads of their prey in their living

rooms as a testament to their animal nature.

Ed Gentry also touches his animal nature in James

Dickey’s novel Deliverance. One weekend, Ed along with

three friends, Bobby, Lewis, and Drew decides to canoe down

the Cahulawassee river not knowing what trials laid ahead.

Drew is killed, Bobby sodomized, Lewis disabled, and Ed

severely wounded. Ed stalks and kills a man in order to

survive; and through Ed’s need to survive in the wilderness,

he touches the animal nature within him.

Ed goes through life aimlessly. Eventhough he has a

wife, a boy, and his own business, Ed has no direction, no

purpose. Life is boring. Ed’s only break from normal life

is the occasional excursions that he takes with his good

friend Lewis. The first inclination of what Ed needs to be

complete is while laying out a photo shoot for a Kitt’n

Britches ad. As Ed surveys the model, he looks into her eye

and spots an imperfection in it:

There was a peculiar spot, a kind of tan slice, in

her left eye, and it hit me with, I knew right

away, strong powers; it was not only recallable,

but would come back of itself….and the sight of

that went through me, a deep and complex male

thrill, as if something had touched me in the

prostate.(21-22)

Was this part of Ed’s animal nature showing through? The

animal instinct to reproduce.

Ed, Lewis, Drew, and Bobby leave for the river. Lewis

and Ed in one car, and Bobby and Drew in another. As Lewis

and Ed are driving, Ed presents his theory on life– the

theory of “sliding”(41):

I’ll tell you. Sliding is living antifriction.

Or, no, sliding is living by antifriction. It is

finding a modest thing you can do, and then

greasing that thing. On both sides. It is

grooving with comfort.(41)

This is how Ed lived, without any connection to the animal

nature within him.

The second day on the river, the wilderness revealed

its powerful nature. Bobby was sodomized by two mountain

men, Lewis had his leg severely broken, and Drew was

supposedly killed by a mountain man. Ed was the only one

left to help the helpless to civilization. Ed knew that he

had to kill the remaining mountain man to insure that the

mountain man didn’t kill the rest of them. “Kill or be

killed.”

As Ed ascended the cliff to the top of the gorge,”[He]

looked for a slice of gold like the model’s in the river:

some kind of freckle, something lovable, in the huge

serpent-shape of light(176).”

When Ed reaches the top of the gorge, he carefully

plans how to kill the mountain man like an animal stalking

its prey and waiting for the right moment to pounce. He

then climbs a tree and waits for his prey to come into view.

Spotting the mountain man, Ed lines up his prey:

for he was shut within a frame within a frame, all

of my making: the peep sight and the alleyway of

needles, and I knew that I had him…and [then] I

saw his face– saw that he had a face– for the

first time. The whole careful structure of my

shot began to come apart, and I struggled in my

muscles and guts and heart to hold it

together.(191)

Eventhough Ed has truly connected with his animal nature by

hunting his prey and within a few seconds of making the

kill, his human side still shines through complicating his

judgment. At the moment when Ed is then threatened further

by the mountain man seeing him in the tree; the animal

nature within him releases the arrow.

When Ed shoots the mountain man, he center shoots him,

therefore, the mountain man doesn’t die immediately. To

ensure that the mountain man is dead, Ed tracks the mountain

man, “I got down on my hands and knees to try to find a

direction for the blood….and when I couldn’t see it I

could feel it, and, in some cases, smell it(196-197).”

As Ed tracks the mountain man further into the woods, he

becomes more like an animal searching for its wounded prey,

“I was thinking like a driven creature…I went to all fours

with my head down like a dog and the knife between my

teeth…smelling for blood like an animal again…(195-199)”

Finally Ed

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